# Draw an eastern grey kangaroo in Aquarell: separate long hindfeet, shorter forelimbs and a thick tail base
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Canonical: [Draw an eastern grey kangaroo in Aquarell: separate long hindfeet, shorter forelimbs and a thick tail base]()
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Published: 2026-11-15T00:00:00+08:00
Modified: 2026-11-15T09:26:47+08:00
Author: Bison
Trace hindlimb bends and tail contact in a resting side view without turning the tail into another jointed leg.
English translation of the [Chinese original](), translated on 2026-11-15. Original publication dates, attribution, code and version notes are retained.
A kangaroo’s long hindfeet and thick tail become a strange tripod if drawn as similar diagonal sticks. Reference Macropus giganteus in Aquarell for an invented resting side view, distinguishing hindlimb bends, smaller forelimbs, continuous tail base and ground contacts. Sex is unspecified; no pouch young or hopping sequence is added.
## Establish the trunk-to-tail-base curve
Use an approximately 1700×1800 px portrait canvas, head upper left, thick trunk and rump joining a tail extending back-right. Establish neck/chest and belly/rump masses with a continuous back before a ground guide. Add thick tail-base and hindlimb room to rabbit-like forms, not exaggerated ears. A gentle lean is allowed. Pixels, angles and contacts are invented composition, not measured centre of mass, force balance or field observation.
## Connect head, neck and ears coherently
Raise a narrower neck from the chest into head and muzzle, with separately rooted ears and appropriate far-ear occlusion. Place one clear near eye and terminal nose/mouth rather than both eyes on one side. Repair a suspended ear-icon head or a beak-like muzzle through volume. Invented ear direction establishes neither complete species identity nor an observed alert/hearing behaviour. Keep head/ear/neck continuity clearer than texture.
## Fold large hindlimbs from rump into long feet
Mark two hindlimb roots at the rump. Build a thick near thigh, descending lower leg and long foot, with sensible far-side clues. Trace rump to toe before width, without merging knee and ankle into one knob. A forward foot is not an entire horizontal leg. Restore rump mass in bird-like limbs and separate shared paths. Segments abbreviate exterior form, not measured joint locations or inferred hopping speed/sequence.
## Attach smaller forelimbs at the chest
Place smaller paired forelimbs at the chest, near arm bent down/forward and far arm partly visible, with abbreviated hands. They are neither pouch-young limbs nor neck appendages. Reduce four equally massive legs and reveal a far-arm clue without transparency. Hand detail is optional; size contrast and roots matter. Add no decorative branch or invented grasp, feeding or aggression narrative to the resting pose.
## Taper continuously from a thick tail base
Extend a broad tail root continuously behind the rump, tapering gradually rather than hanging a cord. In this invented pose, a middle/rear section approaches the ground with narrow soft contact shade, not a fifth jointed leg. Repair detached-branch roots and blunt equal-width ends. The source describes differing locomotor roles; this is neither a full slow-walking sequence nor a claim that tails always touch ground.
## Distinguish foot and tail contacts without adding limbs
Place visible contacts for two hindfeet and a tail section on warm ground, not three identical pads. Forelimbs hang before the chest here, without invented ground shadows. Inspect form without hair; a softer far foot still belongs to its leg. Repair stool-like thigh mass and tail continuity rather than lengthening shadows. Contacts aid spatial reading, not force calculation. Keep far limbs on their own side instead of forcing screen symmetry.
## Arrange fur colour over the established volumes
Use grey-brown with a paler belly and related tail/hindlimb colours separated through overlap. Suggest short hairs selectively, not serrated outlines everywhere. Restore continuous belly colour if it resembles an opening. Separate merged tail/leg contours before bright colour coding. Sex is unspecified: no pouch or young is drawn, and a pale belly proves neither. Maintain readable tonal hierarchy across ears, neck, arms, hindlimbs, feet and tail before mottling.
## Reopen and trace hindfeet and tail from the rump
Save native work, hide paths/contacts, export PNG and reopen. Identify size contrast and tail base small; enlarged, trace each rump-to-hindfoot path, rump-to-tail route and paired chest forelimbs. Inspect tail/shadows if three hindfeet appear, or restore far-foot visibility without an unattached foot. Revise, re-export and reopen editable work. Note an invented resting side view of unspecified sex. Success concerns continuity/categories, not gait recording, mass calculation, identification or automatic kangaroo motion.
## Related tutorials and sources
[Draw a giraffe in Aquarell: wrap patches around the neck](); [Draw beach footprints in Aquarell: coordinate alternation, depth and recession]().
Sources checked on 15 November 2026: the [official Aquarell App Store listing]() and [Apple public lookup]() show version 1.0.7, requiring iOS / iPadOS 15.0 or later. Draw manually with the published brush, colour, layer and saving capabilities. Dimensions, poses, colours and layer plans are original exercise suggestions; check controls against the installed version. Keep editable native artwork and PNG previews. Static structural checks are neither physical operation, scientific identification nor claimed completed device testing.
Morphology: the [Australian Museum’s eastern-grey-kangaroo profile]() describes larger hindlimbs and a muscular tail with differing locomotor roles. This resting pose establishes neither universal tail contact nor measured load support.