# Paint headphones in Aquarell: separate shells, cushions and joints

Language: en
Canonical: [Paint headphones in Aquarell: separate shells, cushions and joints](<https://allluckly.cn/en/guides/aquarell-headphones-cushions/>)
中文：[中文 HTML](<https://allluckly.cn/guides/aquarell-headphones-cushions/>)
English: [English HTML](<https://allluckly.cn/en/guides/aquarell-headphones-cushions/>)
Published: 2026-10-27T00:00:00+08:00
Modified: 2026-10-27T13:09:51+08:00
Author: Bison

Study hard and soft materials, elliptical thickness and joints through two earcups and a curved headband.

English translation of the [Chinese original](<https://allluckly.cn/guides/aquarell-headphones-cushions/>), translated on 2026-10-27. Original publication dates, attribution, code and version notes are retained.

Headphones combine hard shells, joints and soft cushions. Draw a fictional pair without branding, connecting two earcups through one headband before contrasting shell reflections and broad cushion shadows. Material differences come from surface treatment rather than unrelated bright colours.

## Establish the two earcups in space

On an approximately 1600×1500 px canvas, place the larger near cup lower left and smaller far cup upper right. Connect them with a broad arched headband. Mark cup centres and joints, checking a continuous wearable silhouette with separate cup, cushion and band layers before details.

## Align shell faces and sidewalls

Build each cup from an elliptical face and sidewall with matching axes. Show more thickness on the near edge. Establish mid-grey volume before highlights. Add sidewall thickness to a flat disc, or reduce heavy dark edges on a stone-like mass, retaining a shell-only stage for comparison.

## Give cushions an inner opening and compression

Paint cushions as thick rings with visible surface width, not two thin outlines. Vary near and far width and soften their transitions. Keep an inner opening darker while retaining some reflected light. Soften tyre-like hard highlights or restore ring surfaces if they become black holes.

## Separate headband frame and padding

Use a firmer outer band and softer wider inner padding following one arch. Connect both ends through joints and occlude hidden sections. Vary band width to avoid a flat semicircle symbol, and reduce cylindrical shading if it resembles a thick rope rather than a strap.

## Explain the joints through overlap

Simplify each joint to a short stem and small pivot, without claiming a working adjustment mechanism. Connect its ends explicitly to band and cup. Repair floating cups by checking those endpoints, hiding highlights if necessary instead of using decorative bolts to create false complexity.

## Use different edges for reflection and softness

Give the shell one clearer reflection with varied edge softness, while cushioning uses broader transitions and fewer sharp lights. Keep a shared upper-left light and test materials in related greys before colour. Remove sharp cushion lines for softness or restore selected shell jumps when everything looks cloth-like.

## Use grounding shadows to connect the cups

Reserve deepest contacts for parts actually touching the table, keeping the raised band shadow softer. Review both cups in one space at small size, cushion thickness normally and joint errors close up. Correct a wrongly oriented cup through its axis rather than a larger shadow.

## Study a short cushion cross-section

Study a short cushion arc with a rounded outside, darker inside and broad light. Compare hard and soft edges in the same grey without claiming pressure simulation. Apply the useful treatment to one near section first, simplifying other areas instead of repeating identical tubular shading around the whole ring.

## Use negative space to diagnose joint placement

Compare the gaps between headband and cups as directional shapes. An unexpectedly wide triangle on one side may indicate a wrong stem length or cup angle. Test the joint as a plain grey block before restoring tiny reflections, separating spatial diagnosis from surface detail.

## Retain material-comparison versions

Export grey-structure and finished previews with independently hideable shell and cushion layers. Next, change only the cushion to pale cream and rebuild its opening and ring values. Pale colour still needs thickness. Record which edges communicate softness for later padded-object studies.

## Related tutorials and sources

[Hard-surface reflections](<https://allluckly.cn/en/guides/aquarell-metal-kettle/>), [Soft-material shading](<https://allluckly.cn/en/guides/aquarell-fabric-folds/>).

Checked on October 27, 2026 against the [official Aquarell App Store listing](<https://apps.apple.com/cn/app/id1591340577>) and [Apple’s public version lookup](<https://itunes.apple.com/lookup?id=1591340577&country=cn>): current version 1.0.6, requiring iOS / iPadOS 15.0 or later. This exercise uses public brush, colour, layer and saving capabilities. Geometry, materials and motion cues are drawn manually; dimensions, palettes and simplified forms are suggestions. Check controls in your installed version. Keep the native project for editing and use PNG for previews. No step-by-step physical-device testing is claimed.